
Relentlessly Terribad
The Details
Relentless (Dominion Trilogy #1) by Robin Parrish.
Modern day fantasy-esque. Guns and swords and bodysnatching and psycho-powers. X-Men meets… something bad.
The Plot
Our protagonist, Grant, finds out that he’s somehow been body-swapped and has gained strange telekinetic powers and a ring that won’t come off his finger. He’s eventually introduced to a mysterious girl that follows him everywhere, an assassin hired to kill him, a scientist out to discern the meaning of the universe (or something), a corrupt cop, and a whole lotta people just like him. Oh yeah, and some government / scientific experimentation / religious cult-ish stuff.
The Opinion (Contains Spoilers!)
First thing’s first – this is a free download from the Kindle store, and I wholeheartedly believe there is a reason for this.
It’s difficult to dig down and find the words to describe my true feelings for this book, so let’s break it down in simple terms.
The Good – Contrary to how I summed it up, this novel actually has a surprisingly good storyline. The plot intrigued me, and I was genuinely interested in finding out how it ended, which is what kept me page-turning until I finished it this evening.
The Bad – The characters are ATROCIOUS. Stereotypes abound, from the sultry southern belle (and those exact words are used to describe her) to the nerdy scientist with his assistant to the conflicted and tormented orphaned protagonist. The pacing either staggers, falls on its face, or literally LEAPS from thought to thought, making the entire book feel disjointed, poorly pieced together, and generally irritating to follow.
The Ugly – While Parrish is a fabulous at designing stories (honestly, it takes some measure of thought to come up with a plot like this), he is TERRIBLE at telling them.
What Relentless primarily suffers from is a complete lack of development. The plot plods along in an entirely predictable manner, skipping joyfully from one detached section to the next, not seeming to care if the reader is coming along for the ride or not.
The characters are horribly vague and utterly forgettable. Grant Borrows, our protagonist, is so frustratingly static and utterly dense that he is more aggravating than anything, his sole development being the steady growth (to near-godlike status) of his paranormal abilities. Everyone else in the book is quiet uninteresting, and failed attempts at relationships – either between nerdy scientist and doting assistant, or Grant and one of his superhero buddies – comes across so forced as to be utterly unbelievable.
I wanted to enjoy this book. I truly, truly did. Painful presentation aside, I plowed through to the very last page, hoping for some sort of redemption or, if nothing else, an appropriate tying up of the loose ends.
Instead, the book took an abrupt “end of the world” cataclysmic approach, beginning as abruptly as it ends, with no clear understanding why (yes, there’s an explanation, it’s ludicrous). Nothing is explain in enough detail to truly draw the reader in – I sat there, reading of the end of the world descending on Los Angeles, and the entire description literally lasted less than two pages.
THE END OF THE WORLD. NOT WORTHY OF MORE THAN A FEW PARAGRAPHS.
I accepted the horribly X-Men approach to the “heroes” of the novel (they all live in an abandoned facility, somehow unnoticed by the rest of the world, led by a doting pacifist that helps them all lead peaceful lives where they can SURELY benefit mankind). I accepted the horribly Star Wars approach to our “supposedly” orphaned protagonist (OMG IT WAS HIS [GRAND]FATHER!). I even accepted the horribly old-school hyperdramatic fantasy, including, but not limited to, ridiculous names and titles (the Keeper, the Bringer, the Thresher, the Seal of Dominion, oh god it went on and on). Even the cheesy dialogue couldn’t do me in.
But disguising inconsistencies and black holes in the plot line as events fabricated to “test” our protagonist so that you don’t have to continue on the current path of the storyline is BAD WRITING. OBVIOUSLY bad writing. PAINFULLY OBVIOUS. Throwing random characters in for the sake of explaining something quickly is BAD WRITING. Magically inserting deux ex machina-esque events and items that somehow inexplicably tie everything together is BAD WRITING.
And please, the whole “omg they died before I could tell them how I felt about them” is SO OVERDONE. There are three strings of romance in the book, and all of them are cheesy, horribly camped out, and ridiculously stereotypical. The lost lover, left for dead, that returns a changed man, his heart full of hatred. The young assistant who pines after the man she works for, even though she knows his past is cloaked in shadows. The star cross’d lovers, destined to doom from the very beginning, playing the ridiculously coy game until one of them DIES and somehow FUELS the ENTIRE END OF THE BOOK (oh yeah, didn’t see that coming).
I’m sorry, The Matrix called. They want their emo-rific Neo / Trinity death scene back (at least this one was over faster).
The Verdict
Don’t waste your time. While the overall storyline has huge potential, it’s wasted on a lack of coherent storytelling. I have the feeling this would have functioned beautifully as a graphic novel, something nice and dramatic and over the top. But as a novel, it’s just relentlessly bad.
OMG u see wut i did thar?

